Vaaranam Aayiram Reviews

Once again Gautham Vasudev Menon has come up with a good movie. Varanam Ayiram was one of the most awaited movies in the tamil industry. I was expecting it sooo much because of the music. The music played a very important role in the movie. Though the movie was nothing out of the ordinary, it was made so because of the outstanding cast. Surya, Simran, Sameera Reddy, Divya Spandana have done a tremendous job. They have lived their characters. The surya and Sameera in the US is fabulous. She has exactly depicted an Indo American girl. The chemistry between Divya and Surya is very good. Overall, Surya is the show stealer, aided by all the other actors.

This is a different kind of film that has hit the theatres in the recent past. This film is almost a remake of the famous " FOREST GUMP ", released in early nineties which was a phenomenal hit. Surya after perazhagan has once again did a dual role which is worth praising. This film has beautifully expalined the great affection between a son and a father. He as a father acts casually and sticks to his role perfectly. The film starts with a high tempo with the father dying, but soon the the tempo changes and makes the time pass quickly. Love at the first sight is the concept of film. After the son falls in love with sameera, he goes to boston to persuade her to love him. After she falls in love there is a tragedy as she dies. From here on, the movie assumes reduced pace with Surya adapting all wrong habits including drugs. But the belief his parents had on him changes him back to normal. Meantime he does an adventure which is in no way connected to film. The film reverts to happy ending with Surya marrying his sister's friend and joins military.

Gautham Vasudev Menon is back with a film straight from the heart. The director, who believes in meaningful cinema, is trying to push the cinematic envelope with Vaaranam Aayiram. The film is clearly meant for niche audiences, and not for mass viewing. It is a tribute to the director’s dad, who passed away last year. The treatment and narration are purely autobiographical with most of it taken from real life incidents laced with cinematic liberties. In a nutshell, the film is personal and deals with the deep bonding between a loving and devoted father and his son who is trying to discover himself. Menon’s life story may be woefully long and meandering ( 2 hours 55 minutes) with a great first half, but post Interval, it lags. Still it works and grabs us where it matters and leaves a lump in your throat. The movie opens with an army officer Surya receiving the news of his dad’s death while on a mission. Flashback- Right from his birth, for Surya (Surya) his dad Krishnan (Surya), a middle-class central government employee is more of a friend and a role model than a disciplinarian father. He dotes on his dad more than his mom Malini (Simran) and sister Shriya, and they live a happy life. Surya is influenced by his dad’s stories of how he romanced his mother and won her. As Malini nostalgically tells him- “He just swept me off my feet”! Surya goes to an Engineering college in Tiruchi, after his father borrows money to pay his capitation fees, but ends up watching movies than attending classes. After his last semester exams, on the way back to Chennai he meets the beautiful Meghana (Sameera Reddy) on train and it is love at first sight. Being a guy who has never looked at a girl, he pulls out his guitar and sings En iniyia pon nilaave! Meghana and Surya are like chalk and cheese; she has graduated from the prestigious REC, Tiruchi a studious type and a topper who is going to do her MS at Berkley University in California! But somehow Surya who says he has been hit by a “thunderbolt” tells her-” I will come into your life and sweep you off your feet”. How his father sticks with him through thick and thin and helps him to attain his goal against all odds, forms rest of this bio pic. Gautham simply wrings you dry with his overplay of emotions in the father-son bonding. The climax is heart wrenching and heartwarming as Surya’s breakdown and tears roll down his cheek which looks real. The best part of the film is the first half, especially the wispy romance between Surya and Sameera Reddy, with the scene where Surya falls for her in the train is hilarious and romantic. And when Sameera says finally – “I’m in love”, with Surya playing around with a toy helicopter at Fort Point, which offers the best view of the Golden Bridge in San Francisco, the romance tugs at your heart. Only Gautham, a romantic can make such scenes work. Technically the film is state of art. Rajeevan’s art work captures the ethos and milieu of the 60’s feel in the beginning effectively. For a change Antony does not do any gimmicks, and you should understand that its not an easy job to edit an autobiographical. Ratnavel’s camera is eye-catching as it pans California, Dehradun, Delhi, Rameswaram and other locations and gives the film richness. Surya’s make-up, his six pack look and old man get-up is very good. The music of Harris Jayaraj is first rate and tangy, with meaningful lyrics of Thamarai. This is Harris- Gautham’s last film together

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