Critics Reviews
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| Apr 22, 2006IndiaGlitz
Pyare keeps in sync with the dance steps of a group with out being able to see them, and Mohan keeps faultlessly in step with the beat without being able to hear it.
In another hilarious sequence, Mohan is introduced dancing like a dervish at a wedding procession.
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| Apr 22, 2006Bollyvista
Fardeen is indeed becoming a confident actor and Amrita's look in the film is really good.
He's childishly cute in some of the comic sequences with Fardeen but also goes over the top in some scenes.
There are no memorable scenes or sequences here.
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| Apr 21, 2006oneindia.in
In fact, Pyare Mohan easily ranks amongst his weakest film so far.
Even the terrific Boman Irani is reduced to being a caricature here.
In fact, that's the only funny moment in the film when you break into laughter.
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| Apr 21, 2006apunkachoice.com
The humour in the movie is obviously predictable and absurdly puerile.
Barring a few sequences, the humour in Pyare Mohan is pretty mundane.
To sum it up, Pyare Mohan had the potential to be an entertaining comedy.
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| Apr 19, 2006IndiaGlitz
That's the theme of pop band TRICKBABY's title song from Inder Kumar's Friday release PYARE MOHAN that features the two lead actors in an innovative promotional music video directed by Kookie V Gulati.
Shot prominently in shades of black and white, the video captures Fardeen Khan and Vivek Oberoi in various interesting getups and costumes as they carry on their hunt.
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Smash Hits, India
click for larger view The plot lacks interesting story.....Esha Deol and Amrita Rao must have done this film because of their faith in director Indra Kumar.....Pyare Mohan can be seen as the worst film of Indra Kumar's career....His tunes have lost the sheen and he must once again come out with some fresh compositions.....who are desperate to make a hit to count among the league of good actors..... ... Full Review
IndiaGlitz
It's the rap rendition by Earl (who introduces 'Pyaare-Mohan') that is the major highlight of the song as the final product is not half as jazzy as Earl's interspersed portions.
Kunal also returns to sing the remix version that is much faster paced whereas Udit Narayan and Alka Yagnik appear in solos for three shorter versions that should form the part of the background score of 'Pyaare Mohan'.
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Bollyvista
To sum up, the album may become somewhat popular if 'Pyare Mohan' succeeds at the box-office.
On a serious note, Sunidhi is wasted though Nikita Nigam tries hard to salvage the routine track, which basically seems to be a foolish appeal to God (by Esha and Amrita) to give them eternal youth!
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Bollyvista
Sameer's lyrics manage to convey the essence/flavour of the movie appropriately and 'Har Mohan Ki Koi Radha' can be classified as the title track (as the English chorus suggests).
Producers Indra Kumar and Ashok Thakeria have long been associated with super hit music, right from 'Dil', 'Beta', 'Ishq', 'Mann' (though the film failed) and their last 'Masti'.
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Bollyvista
Fardeen is indeed becoming a confident actor and Amrita's look in the film is really good.
Vivek Oberoi seems to have just breezed through the film but is good in a few intense moments.
The cinematography fails to capture the beauty of Bangkok.
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