Critics Reviews
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| May 23, 2007Film Threat, Hollywood's Indie V
You have to ask yourself why a 'filmmaker' would even bother making a satire about a tragic, insane court case nearly four decades old.
The live-action sequence that starts and ends the movie tells us this stuff in a flat, awful, atonal voiceover by Tim Armstrong, another Rancid escapee.
... Full Review
| Jan 26, 2006Washington Post
takes its own marginal place in the history of midnight movies, alongside John Waters's classic "Pink Flamingos" and the impenetrable "El Topo," as the kind of film best appreciated by a niche audience, probably one in the throes of one or more mind-altering substances. ... Full Review
